10 April 2016

The Guardian: “14 years a fugitive: the hunt for Ratko Mladić, the Butcher of Bosnia”

Along with a formidable phalanx of guards, Mladić had a driver, his own cook, even his own personal waiter who would travel with him back to Rajac in the late winter of each year. When the season was over and the deer hunters had departed, the entourage would return like a travelling court. During this period, Mladić also spent a considerable amount of time in Belgrade, at his family home on Blagoja Parovića Street in the upmarket suburb of Košutnjak. He went out to restaurants and football matches in the Serbian capital. Video of these days shows a relaxed Mladić playing table tennis at Stragari, theatrically ruing a missed shot, and presiding over family celebrations.

The men and women who helped keep the fugitive general in this contented bubble saw him as a national hero, embodying the martial virtues of Serb legends from other eras. Somehow they managed to persuade themselves that within this crude stub of a man was an echo of Serbia’s heroic age. But just in case their loyalty should ever waver, they were shown photographs of their children – a characteristically direct reminder of the high price paid by informants.

Julian Borger

I’ve read the article a while back, but it seamed fitting to share it together with my review of The Cellist of Sarajevo, an excellent novel depicting the struggle to survive in a city under siege and constant bombardment.

Steven Galloway – Violoncelistul din Sarajevo‏

in Bucharest, Romania
Violoncelistul din Sarajevo - Steven Galloway

Se prăvălea șuierând, despicând fără greutate aerul și întinderea cerului. Ținta era din ce în ce mai clară, din ce în ce mai mare, cu cât timpul și viteza o aduceau mai aproape. Clipa de dinaintea impactului a fost ultima în care lucrurile s‑au mai aflat în starea lor firească. Apoi, lumea celor văzute s‑a dezintegrat.

După căderea comunismului în ultimul deceniu al secolului XX repercusiunile s‑au făcut simțite mulți ani în Europa de Est. Dacă Uniunea Sovietică s‑a destrămat în general pașnic, nu se poate spune același lucru despre Iugoslavia, care s‑a sfâșiat violent într‑o explozie de intoleranță religioasă și naționalistă. Unul dintre conflictele cheie din acei ani sângeroși a fost asediul orașului Sarajevo, blocat și bombardat de forțele sârbe timp de aproape patru ani. Una din bombele lansate de pe dealuri lovește din plin un magazin, omorând pe loc douăzeci și doi de oameni care așteptau la coadă. Văzând acea scenă de carnaj din locuința sa, violoncelistul se hotărăște pe loc să cinstească victimele nevinovate și începe să cânte piesa Adagio in Sol Minor de Tomaso Albinoni pe locul unde căzuse obuzul timp de douăzeci și două de zile, câte una pentru fiecare mort.

După apariția din prolog, violoncelistul fără nume, dar bazat pe un personaj real, se retrage în fundal, lăsând loc celor trei protagoniști, de data asta ficționali, între care alternează capitolele romanului. Prezența lui continuă să lege însă cele trei fragmente de viață care se desfășoară mai mult sau mai puțin în paralel, pe durata acelor zile în care violoncelistul înfruntă bombele și gloanțele necruțătoare. Prima este Săgeată, o tânără de aproape treizeci de ani care înainte de război făcea parte din echipa de tir a universității. După declanșarea conflictului s‑a decis să participe la apărarea orașului și acum o găsim cu pușca în mână, vânând cu precizie de neegalat atacatorii de pe dealuri, doborându‑i când se așteaptă mai puțin. Ea primește de la comandantul ei misiunea delicată de a‑l ține în viață pe violoncelist, căci acesta este convins că asediatorii vor trimite un lunetist să‑l reducă la tăcere. Kenan este un soț și tată care, măcinat de teamă, trebuie să parcurgă drumul periculos până la izvoarele de la fabrica de bere pentru a se reaproviziona cu apă pentru familie și o vecină în vârstă. Iar Dragan, un bătrân care a reușit să‑și trimită familia la adăpost în Italia, parcurge un drum la fel de nesigur pentru a mânca gratis la fabrica de pâine unde lucrează de la declanșarea ostilităților.

05 April 2016

Ars Technica: “This is Android N’s freeform window mode”

We'll get to the instructions, but first let's talk about what's actually here. Freeform window mode is just what we imagined. It's a dead ringer for Remix OS—multiple Android apps floating around inside windows—and it might be the beginnings of a desktop operating system. It works on Android N phones and tablets, and once the mode is enabled, you'll see an extra button on thumbnails in the Recent Apps screen. To the left of the "X" button that pops up after a second or two, there will be a square shape—the same ugly placeholder art Google used for the split screen mode in the Android M Developer Preview.

Ron Amadeo

Looks a lot like Windows! – in fact it’s curious how all major desktop operating systems gravitate towards this interaction model. Windows 8’ attempt to replace it with full-screen apps didn’t go down well with people, so Windows 10 brought back the familiar windows with title bar and buttons; iOS started making baby-steps in this direction with split-screen mode on iPad Pros; and now Android too. It does address a commonly raised complaint about the poorly optimized software on Google’s Pixel C tablet, but also raises an interesting question: if future versions of Android come with good multitasking on large screens by default, will Chrome OS still have a future?

04 April 2016

The Verge: “Here Maps drops support for Windows Phone and Windows 10”

Here maps has been a strong part of Microsoft’s Windows Phone offering for years, but that’s coming to an end later this month. Here is announcing today that it plans to pull its mapping apps for Windows 10 on March 29th, and will limit the development of the apps for Windows Phone 8 to critical bug fixes. If you own one of the latest Lumia 950 handsets then Here maps will stop working after June 30th. If you’re still on a Windows Phone 8.1 device then Here maps will keep working, unless you upgrade to Windows 10 Mobile once it’s available in the coming weeks.

Tom Warren

I love how the article tries to make this news into yet another evidence that Windows Mobile is abandoned and at the same time to discourage people from updating to Windows 10. The fact is Windows Maps, both desktop and mobile, uses the same Here maps data through licensing, so the overall map quality should stay the same. Since I upgraded my laptop and tablet to Windows 10 months ago, I occasionally used the desktop version of Windows Maps and I was pleasantly impressed. The app is fast, the interface modern and fits with the overall look of the OS – something that couldn’t be said about Here, it was terrible on iOS. The transit directions are top-class, comparable to Google’s at least for Bucharest, something I wouldn’t have expected. The best part: only tree days later The Verge publishes another article about updates to Windows 10 Maps addressing some of the missing features – that’s not how software usually gets abandoned.

Twitter Blogs: “Accessible images for everyone”

Starting today, people using our iOS and Android apps can add descriptions — also known as alternative text (alt text) — to images in Tweets. With this update, we’re empowering everyone to ensure content shared on Twitter is accessible to the widest possible audience.

Enable this feature by using the compose image descriptions option in the Twitter app’s accessibility settings. The next time you add an image to a Tweet, each thumbnail in the composer will have an add description button. Tap it to add a description to the image. People who are visually impaired will have access to the description via their assistive technology (e.g., screen readers and braille displays). Descriptions can be up to 420 characters.

Todd Kloots

A good step forward for accessibility, although I have to wonder how many users will take the time to enable the feature and add descriptions to images as they post. After all, many site admins and CMS ignore alt-descriptions and those are people who should understand the importance of alternate text for screen readers and search engines alike. I don’t expect more from casual Twitter users.

02 April 2016

Fortune: “My Year in Startup Hell”

The offices bear a striking resemblance to the Montessori preschool that my kids attended: lots of bright basic colors, plenty of toys, and a nap room with a hammock and soothing palm tree murals on the wall. The office-as-playground trend was made famous by Google and has spread like an infection across the tech industry. Work can’t just be work; work has to be fun. HubSpot is divided into “neighborhoods”, each named after a section of Boston: North End, South End, Charlestown. One neighborhood has a set of musical instruments, in case people want to have an impromptu jam session, which Zack says never happens. Every neighborhood has little kitchens, with automatic espresso machines, and lounge areas with couches and chalkboard walls where people have written things like “HubSpot = cool” alongside inspirational messages like There is a reason we have two ears and one mouth. So that we listen twice as much as we speak.

Dan Lyons

Dan Lyons is one of the writers for the HBO series Silicon Valley and, with his extensive experience in ‘startup hell’, it’s no wonder the show hits the spot so many times. Also, this might explain why tech startups (like Google) grow up to be so out of touch with the world outside their walls.

01 April 2016

TechCrunch: “Google reverses Gmail April 1 prank after users mistakenly put GIFs into important emails”

Google has reversed one of its April Fools’ Day pranks after it caused a number Gmail users to unwittingly insert GIFs into business emails and other important communications.

The U.S. internet giant is usually celebrated for its creative April Fools gags — some of its others today are funny — but the Big G’s attempt to inject humor into email via a ‘Mic Drop’ button that inserts a Minions GIF in Gmail messages backfired.

Jon Russell

You would think Google learned its lesson after forcing Google Buzz into people’s mailboxes, but apparently there’s an unlimited supply of social blunders inside the company.